They’re connected to that language of knowing, without knowing.
In conversation with Lerato Shadi
I Know What a Closed Fist Means, 2020, large-scale photographic print on wooden panel, four parts, installation view
Letta Mbulu and Caiphus Semenya → Maru A Pula
Ngono le Nna, 2020
Neon, paint
I Know What a Closed Fist Means, 2020
large-scale photographic print on wooden panel, four parts, dimensions variable
Series #1, 2020
virgin wool on raw linen, 61 × 200 cm
Mosako wa nako, 2014
performance at Neuer Berliner Kunstverein
Matsogo, 2013
single channel video work with audio
Motlhaba Wa Re Ke Namile, 2016
single channel video projection with audio
Re Maotwana Gonyela, 2018
single channel HD video
Digital Companion
An Ongoing- Offcoming Tale by Bonventure Soh Bejeng Ndikung
Anecdotes of That Which Is So Visible It Cannot Be Seen →